Aesthetic time, political time: Lucrecia Martel. Cinema and Culture
Keywords:
cinema, language, representation, authoress, aesthetic /communicationAbstract
The present work recovers the conclusions developed in the Doctoral qualified Thesis " Lucrecia Martel: Cinema and Culture ". From two axes, there proposes on the one hand, a critical analysis of the problematic emergent ones in the language of the cinema, related to the representations of the historical - cultural memory, the processes partner politicians, the imaginary ones and the social sensibilities. For other one, the question recovers concerning the cinematographic world that the cineasta constructs inside the communication current context, and thinks about the implication that has in the process of knowledge and identity across the artistic - communicative means.
cinema;
The present work recovers the conclusions developed in the Doctoral qualified Thesis " Lucrecia Martel: Cinema and Culture ". From two axes, there proposes on the one hand, a critical analysis of the problematic emergent ones in the language of the cinema, related to the representations of the historical - cultural memory, the processes partner politicians, the imaginary ones and the social sensibilities. For other one, the question recovers concerning the cinematographic world that the cineasta constructs inside the communication current context, and thinks about the implication that has in the process of knowledge and identity across the artistic - communicative means.
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